faccia in giù - definizione. Che cos'è faccia in giù
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In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:

  • come viene usata la parola
  • frequenza di utilizzo
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  • esempi di utilizzo (varie frasi con traduzione)
  • etimologia

Cosa (chi) è faccia in giù - definizione

1967 FILM BY SERGIO SOLLIMA
Cara a Cara; Faccia a faccia

Khái Hưng         
  • Khai Hung
WRITER
Khai Hung; Tran Khanh Giư; Trần Khánh Giư
Trần Khánh Giư, pen-name Khái Hưng (1896 in Cổ Am village, Vĩnh Bảo, Hải Phòng – 17 November 1947 in Cựa Gà, Xuân Trường) was a Vietnamese novelist, a pro-independence but non-communist intellectual.
Giu (Mandaeism)         
DEMON IN MANDAEISM
In Mandaeism, Giu () is a demon in the World of Darkness (alma ḏ-hšuka) or underworld. Hibil Ziwa encounters Giu during his descent to the World of Darkness in Chapter 1 of Book 5 in the Right Ginza.
Gestionnaire d'Infrastructure Unifié         
Gestionnaire d’Infrastructure Unifie; Gestionnaire d’Infrastructure Unifié
The Gestionnaire d'Infrastructure Unifié (Unified Infrastructure Manager), or GIU, is a proposed public-sector organisation in France, which would take over the management of rail infrastructure from Réseau Ferré de France and SNCF Infra.

Wikipedia

Face to Face (1967 film)

Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Hallelujah, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.

The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.

A major success at the European box office, Face to Face has received praise from critics and scholars of the Spaghetti Western genre for its story and acting, although some criticism has been leveled at the execution of Fletcher's character arc. Sollima considered it to be one of the best and most personal of the films he directed.